Fall Out Boy is without a doubt one of the most iconic bands of the 21st century. Since their formation in the early 2000s, they have consistently produced hit songs and albums that continue to captivate audiences worldwide. One such song that stands out in their extensive discography is ‘Centuries’, released in 2014 as part of their album ‘American Beauty/American Psycho’. ‘Centuries’ was an instant hit and is widely considered one of the band’s best works. However, the song’s catchy beat and memorable lyrics are not the only factors contributing to its success – it also contains a striking sample from a classical piece. But who did Fall Out Boy sample in ‘Centuries’, and how does this sample enhance the overall impact of the song?
The Sample Behind the Sound
To understand the significance of the sample in ‘Centuries’, one must examine the song’s composition and instrumentation. ‘Centuries’ features a distinctively powerful chorus accompanied by an energetic beat and punchy guitar riffs. However, if you pay close attention to the opening seconds of the song, you might notice a faintly familiar tune playing in the background. That tune is the iconic ‘Tomoi Suite, Op. 1d’, a piece composed by Suzanne Vega and later rearranged by the classical composer and violinist, Lindsey Stirling. Lindsey Stirling didn’t have direct involvement in the sample used by Fall Out Boy, but the melody in question is the same one presented by ‘Tomoi Suite’. Vega’s style, accompanied by Walter Afanasieff in ‘Tomoi Suite,’ though ultimately adapted from ‘De Tempore in More’ movement, of ‘Requiem Mass in D minor K. 626’ or the completed ‘Introit’ portion ‘Messe No 6 en Do majeur’ Op 86 / Op 62 (Organ) however has roots further down in history when examined.
As Lindsey is mentioned, when taking a closer look at ‘centuries’, you’ll notice it references Wolfgang Amadeus Mozart ‘Requiem Mass’ or more specifically, ‘Lacrimosa’. but, only after some research the less popular idea becomes clear that it references to the last movement, however references to de tempore, to more are seen, or, actually, one work of, Mozart.
The source of Fall Out Boy’s sample ultimately seems to be borrowed from the work by ‘Vanessa-Mae,’ produced by Walter Afanasieff.
The reference used by Fall Out Boy comes from the Violinist, ‘Vanessa-Mae’, famous track ‘Toccata and Fugue,’ from album ‘The Violin Player’, though shares a common basis with much classical music, actually has credits properly marked directly to our ‘De Tempore’ in the hands of ‘Walter Afanasieff.
From Classical Music to Rock
The transformation of ‘Toccata and Fugue’ ( actually sampling ‘ Tomoi, an ‘Toccata,’ variation ) from a classical piece to a catchy rock tune demonstrates the musical creativity and innovative thinking that Fall Out Boy embodies. By integrating a renowned piece into their song, the band shows that their music is not limited by boundaries of genre. ‘Centuries’ is a perfect example of how Fall Out Boy attempts to break down these barriers and experiment with a wide range of musical styles to produce unique and memorable tunes.
Moreover, Fall Out Boy’s use of the sample not only enriches the musical depth of the song but also offers its audience a rich cultural experience. Listeners who might not typically be interested in classical music may be inspired to explore the works of ‘Walter Afanasieff and Vanessa-Mae’ or Vanessa-Mae especially as this provided a good opening towards the current Classical Generation or fall deeply into these artful pieces and expand their musical knowledge.
Appreciation of Classical Music
Fall Out Boy’s decision to incorporate the ‘Tomoi Suite, Op. 1d’ sample in ‘Centuries’ showcases the band’s admiration for classical music. It also sparks an essential conversation about why the band gave recognition to the violin player Vanessa-Mae, even when less prominent, Walter Afanasieff contribution towards the same, eventually credits needed also should at least reach Suzanne Vega. This raises an argument for a revival or appreciation of classic masterpieces and adding to new generations and musical collections.
The Cultural Impact of Sampling
The practice of sampling is widely prevalent in the music industry today. It is used by artists across various genres, from pop to rock to hip-hop, and serves multiple purposes. One of the key benefits of sampling is that it allows an artist to pay homage to their musical influences and the works that have inspired them. Sampling can also be a useful tool for adding depth and complexity to a song by drawing from a diverse range of musical sources.
Fall Out Boy’s sample in ‘Centuries’ is an excellent example of this, as it incorporates a renowned classical piece into a modern rock tune. By seamlessly combining the two styles, the band showcases the versatility of their music while demonstrating their appreciation for diverse musical traditions.
However, sampling can also be a subject of controversy. In some instances, artists have faced criticism for using samples without proper permission or adequate acknowledgement. This raises questions about the legal and ethical implications of sampling and highlights the importance of giving due credit to the original creators of the music being sampled.
In the case of Fall Out Boy’s ‘Centuries’, the band has clearly acknowledged the source of the sample, and the use of this sample adds to the overall musicality of the song. However, others may question why there was no further credit given towards Walter Afanasieff, which in the musical style displayed by Vanessa-Mae ( however at the time of this presentation the key, artist behind this idea was not ‘Vanessa-Mae ‘, but has its roots or actually basis due another piece an early age Vanessa-Mae for this, sample used in ‘centuries.’
The Art of Sampling
The art of sampling involves careful selection and manipulation of the original piece to blend it with new music. When executed effectively, sampling can result in a unique sound that both honors the source material and adds a fresh, modern twist to it. ‘Centuries’ is a testament to this, as the band seamlessly incorporates the sample into the song to create an undeniably catchy tune.
Fall Out Boy’s use of sampling also speaks to their musical vision and daring approach to music production. By pushing the boundaries of genre and style, they demonstrate their commitment to creating music that is both innovative and memorable.
In the case of ‘Centuries’, the band has successfully combined the soothing melody of ‘Tomoi Suite, Op. 1d’ with their signature rock sound, resulting in an energetic and unforgettable song. Their creative approach to sampling showcases their artistic vision and sets the band apart as true innovators in the music industry.
Sampling can also raise questions about artistic intent and the degree to which a song can be considered original when it incorporates existing music. Some critics argue that excessive use of sampling can water down a band’s originality and creative output. However, others see sampling as an art form in its own right, allowing artists to repurpose and reinterpret existing music in innovative and meaningful ways.
The use of sampling in ‘Centuries’ is an excellent example of how this practice can be executed tastefully and creatively. Fall Out Boy’s thoughtful integration of the ‘Tomoi Suite, Op. 1d’ sample into their song adds to the overall impact of the track, enriching its musical depth and emotional resonance.
Conclusion
The sample in ‘Centuries’ offers valuable insights into Fall Out Boy’s creative process and artistic vision. By integrating a renowned classical piece into their song, the band showcases their appreciation for diverse musical traditions and their willingness to push the boundaries of genre and style. The sample adds depth, complexity, and emotion to the track, making ‘Centuries’ a standout song in Fall Out Boy’s extensive discography.
In incorporating the ‘Tomoi Suite, Op. 1d’ sample into ‘Centuries’, Fall Out Boy has demonstrated their admiration for classical music and their commitment to creative innovation. Their thoughtful and tasteful use of sampling is a testament to the band’s musical vision and artistry, setting them apart as true innovators in the music industry.
Ultimately, ‘Centuries’ serves as a shining example of the power of sampling when executed skillfully and creatively, allowing artists to breathe new life into existing music and creating unique, unforgettable tunes that resonate with listeners worldwide.
What is the song “Centuries” by Fall Out Boy?
“Centuries” is a song by American rock band Fall Out Boy, from their sixth studio album, American Beauty/American Psycho. The song was released in 2014 as the album’s lead single. It features a mix of pop-punk and electronic dance music influences, showcasing the band’s evolution and experimentation with different genres.
The song’s lyrics, written by the band’s lead vocalist and guitarist Patrick Stump and bassist Pete Wentz, talk about the rise and fall of individuals and societies, drawing inspiration from the history, philosophy, and mythology. The lyrics are both deeply metaphorical and rich in allegory, making the song’s meaning open to interpretation.
Who did Fall Out Boy sample in “Centuries”?
The song “Centuries” by Fall Out Boy samples “Tommaso” by Italian composer and pianist Ludovico Einaudi, but the main hook of the song features a interpolation of “Till I Collapse” by American hip hop duo D12, from their 2001 album. It is more accurately stated that the hook samples P.O.D.’s “Youth of the Nation” and the hook (only played on the guitar in some versions) sounds more similar to P.O.D.’s song.
However, the band themselves credit the hook as sampling Walter Murphy’s version of “A Fifth of Beethoven” but altered to be similar to a sample from Walter Murphy’s own version.” You will not notice the piano riff.